_____ plastics, the machine is light in weight.A.To make ofB.Having madeC.To be made ofD.M
_____ plastics, the machine is light in weight.
A.To make of
B.Having made
C.To be made of
D.Made of
_____ plastics, the machine is light in weight.
A.To make of
B.Having made
C.To be made of
D.Made of
A.Made of
B.Making of
C.To make of
D.To be made of
A.5 nautical miles from nearest land
B.12 nautical miles from nearest land
C.25 nautical miles from nearest land
D.None of the above
22.A.protect
B.hide
C.display
D.set aside
23.A.hold
B.held
C.that hold
D.that holding
24.A.used to make
B.is used to make
C.is used to making
D.used to making
25.A.perfectly
B.perfect
C.perfection
D.perfected
26.A.from
B.in
C.with
D.beyond
27.A.so as
B.as that
C.so that
D.such that
28.A.ever
B.rather
C.more
D.much
29.A.under
B.below
C.within
D.on
30.A.goodness
B.advance
C.advantage
D.progress
More ambiguous than other scientific inventions familiar to modern artists, but no less influential, are the psychoanalytic studies of Freud and his followers, discoveries that have infiltrated recent art, especially Surrealism. The Surrealists, in their struggle to escape the monotony and frustrations of everyday life, claimed that dreams were the only hope. Turning to the irrational world of their unconscious, they banished all time barriers and moral judgements to combine disconnected dream experiences from the past, present and intervening psychological states. The Surrealists were concerned with overlapping emotions more than with overlapping forms. Their paintings often become segmented capsules of associative experiences. For them, obsessive and often unrelated images replaced the direct emotional message of expressionism. They did not need to smash paint and canvas; they went beyond this to smash the whole continuity of logical thought.
There is little doubt that contemporary art has taken much from contemporary life. In a period when science has made revolutionary strides, artists in their studios have not been unaware of scientists in their laboratories. But this has rarely been a one-way street. Painters and sculptors, though admittedly influenced by modern science, have also molded and changed our world. If break-up has been a vital part of their expression, it has not always been a symbol of destruction. Quite the contrary: it has been used to examine more fully, to penetrate more deeply, to analyze more thoroughly, to enlarge, isolate and make more familiar certain aspects of life that earlier we were apt to neglect. In addition, it sometimes provides rich multiple experiences so organized as not merely to reflect our world, but in fact to interpret it.
According to the 'passage, it is true that ______.
A.artistic creations seem to be the reproductions of modern technology
B.artistic creations have made great strides scientifically
C.artistic creations appear to be incapable of ignoring material advances
D.artistic creations are the reflection of the material world